Exhibitions – Page 22

March 13, 2024March 8, 2024, by Eva Zanardi

Hudson Valley Artists: Bibliography Sourcing Inspiration at Dorsky

A room with art on the wall

Description automatically generated — Installation view of *Hudson Valley Artists: Bibliography* at The Dorsky Museum of Art

Words evoke a myriad of visuals; images encapsulate words, concepts, and ideals. This symbiotic relationship, the dance between the written word and visual art, is the crux of Bibliography. On view at the Dorsky Museum at SUNY New Paltz through April 7, this exhibition documents how books conjure different facets of the exhibiting artists’ thoughts. Books function as a thematic thread, connecting the artworks on view to broader references of knowledge and providing entry points for understanding their aesthetic, social, or political implications. Exhibiting artists include Osi Audu, Alta Buden, Shari Diamond, Kerry Downey, Stevenson Estime, eteam (Franzisa Lamprecht and Hajoe Moderegger), Aki Goto, Adam Henry, Matthew Kirk, Niki Kriese, Melora Kuhn, Catherine Lord, Sean Sullivan, and Audra Wolowiec. 

March 6, 2024March 6, 2024, by Anne E. Whiting

Glean, Glow, Glam – Denise Treizman at Coral Springs Museum

“Ring around the rosie”, 2020-2024. | Painted vinyl, foam, styrofoam, inflatable pool, tubing, balls, wooden rocker, plexiglass, slinky, fabric, painted PVC pipe tube, rope, clamp, google balls. Photo credits: Rafael Nuñez

Every time I stumble into Denise Treizman’s work—and I do literally mean stumble: it was at an Elizabeth Foundation for the Arts Open Studios Night back in 2017 when I almost walked into a pile of glitter on the floor of her then-studio and first fell heels-over-head in love with her creations—I am floored (I’m so sorry) with the particular joy that some absurdism-enthusiasts experience when presented with hilarious, kawaii, unexpected, nonessential, and in my case: sparkly, things.

February 24, 2024February 23, 2024, by Art Spiel

This is the Future of Non-Objective Art at Atlantic Gallery

Featured Exhibition

Atlantic Gallery, located a short walk from the High Line in Manhattan’s Chelsea, is currently home to This is the Future of Non-Objective Art, curated by Suzan Shutan. This exhibition gathers over a hundred artists from around the globe, each exploring the boundaries of Non-Objective art through unique sensory experiences, experimental processes, and new techniques. Alongside the show, a detailed 110-page catalog is available, offering further insight into the works and artists involved. This large-scale exhibition runs from February 13 to March 2, 2024.

February 23, 2024February 23, 2024, by Sandra Moore

Self-Storage by Beverly Peterson, at TSL in Hudson

A room with many pieces of cardboard

Description automatically generated — Chaos, Video projection mapping and AI animation splash around large and small white cardboard boxes; these display facets of the memories and experiences that are hard to relinquish.

Artist Beverly Peterson has been squirreling away the components of Self-Storage in her studio over several years—collecting, modifying, situating, upending, and repositioning things, paintings, photographs, video, and film. She describes this work as a “deeply personal, emotional, and immersive experience that invites visitors to reflect on their own memories as they explore a dreamlike environment.” It is that, but that’s like describing a particular person as an “ambulating biped with hair.” There’s more.

February 7, 2024February 7, 2024, by Etty Yaniv

Small Myriad: Sharon Horvath at Bookstein Projects

Installation view, detail, photo courtesy of Etty Yaniv

Sharon Horvath’s paintings in Small Myriad, her current exhibition at Bookstein Projects, create a sense of an alluring universe where dazzling colors, interflowing shapes, and tactile surfaces merge, meander, and as a group form an enigmatic universe unified by a mysterious code. Horvath’s spiraling lines and patterned forms create ebbing and flowing movements echoing Theodor Schwenk’s anthroposophical approach to the unifying principle of all movement and form. In his book Sensitive Chaos: The Creation of Flowing Forms in Water and Air, Schwenk posits that water movements reveal fundamental, archetypal patterns in natural and human-made environments. This deeper order finds resonance in Horvath’s paintings, but simultaneously, her imagery and use of collage also lean toward the enigmatic, paradoxical, and absurd.

February 2, 2024December 6, 2024, by Jennifer McGregor

Hedwig Brouckaert / Peel / Examining the Layers

page1image26131280 — *Peel (Flowering)* 2023 paper on ceramic tiles 77 ½” x 5’ x 1” Photography by Michael Hnatov

Peel (America), a new series by Hedwig Brouckaert, which was supported by a Cafe Royal Cultural Foundation Grant, embodies a significant evolution of her practice that integrates life-defining experiences. The title suggests removing a protective coating which is integral to the artist’s physical process and emotional journey of making the work. Peel (America) is on view at Project: ARTspace, 99 Madison Avenue, New York, NY, from December 19, 2023 to February 20, 2024.

February 1, 2024February 1, 2024, by Noa Charuvi

Blue As An Orange

The mysterious elevator door facing the busy corner of Broadway and Canal takes you to the vast and brightly lit space of Ulterior Gallery, which is currently presenting Keren Benbenisty’s second solo show with the gallery titled Tristeza II. A continuation of a 2021 show by Benbenisty, named after the same lethal virus that infects citrus trees, comprises a series of new works in various media. At the center is a 14-minute video narrating the artist’s attempt at cultivating a blue orange, a project she has been occupied with for the past several years: The bluranj, as she named it, or Tapuchol, from the Hebrew word for orange, “Tapuz” and blue, “Kachol”. The video takes us through footage from her visits to an Israeli agricultural research institute, where she met with scientists who specialize in grafting new citrus species. They questioned her ambition – why a blue orange? Benbenisty does not offer a logical explanation but rather a poetic one. The works in the exhibition tell her personal story and provide a window into the larger narrative of the region.

January 29, 2024January 29, 2024, by Melissa Stern

Man Bites Dog Bites Man

John O’Connor at L’Space presented in conjunction with Pierogi Gallery

Noahbot-colored pencil and graphite on paper. 83 x 69.5. 2013. Photo courtesy of John Berens

There is an astonishing amount of information in John O’Connor’s drawings. The work, currently on show in Chelsea at L’Space Gallery, explodes off the paper with words and numbers, names, logos, and dates. It’s information overload, and that is part of the genius of the show.

January 26, 2024January 18, 2024, by Art Spiel

Jeanne Verdoux’s Female Vaisselle at Sculpture Space

previewing exhibition

A white and orange plastic mannequin

Description automatically generated — Ballerina, Ceramics & glaze, 17x12x9.25”, 2023

Brooklyn artist Jeanne Verdoux’s latest exhibition, Female Vaisselle, at the Sculpture Space NYC from February 2 to March 2, 2024, marks her first solo show in New York City. Verdoux captures the essence of the female form through a blend of ceramics, drawings, monoprints, and video art. The title itself is a linguistic play, merging the French word “vaisselle” (meaning tableware) with the English “vessel,” reflecting the dual themes of domesticity and the female body as a container of multifarious experiences.

January 19, 2024January 18, 2024, by Art Spiel

Ceramics+ Drawing Into Sculpture at LIC

photo story

A colorful paper ball with barbed wire

Description automatically generated with medium confidence — Sok Song,- SoNoBe: Legermain Barbed and Coiled. Clay, paper, plastic, 16”x16”x16”.2023, Me, Mom, and the War on Identity. Acrylic, screen print, collage on paper, 36”x28” 2023 ( on wall)

The Long Island City Artists, an art non-profit known as LIC-A, is currently presenting a bold exhibition that brings together artists who work simultaneously in two media not always thought of as compatible. Curator Matt Nolen has gathered a fascinating group of artists from the NYC metropolitan area who work in both clay and drawing–one influencing and bouncing off the other. The synthesis is a fascinating and genre-bending exhibition.