Maya Perry with introspections within The Moon Takes Shape of an Outsider’s Light

Maya Perry, The moon takes shape of an outsiders light, 2025, Water-Soluble Graphite and Watercolor on canvas, 58 x 62 in., photo courtesy of Taylor Bielecki

Maya Perry’s solo exhibition at RAINRAIN gallery is both tender and powerful, full of tranquility and wonder. It is a conversation on humanness and existence. With the drawings, we see snapshots of thoughts, memories, feelings, and with the paintings we see narratives and longer moments of growing, returning, and becoming. This exhibition navigates the spaces where memory fractures and re-forms, dealing with the complications of the past.

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MIST – Fleeting moments and Summer Sensibilities at Helm Contemporary

Installation view, Sylvia Schwartz, Temperature Gauge and Word Landscape and Green, photo courtesy of Helm Contemporary

In MIST, four artists are brought together to take the inspiration of summer, and find a way to break through the heatwaves that have recently hit New York. There is a dialogue between the artists and their various takes on works on paper, bringing forth summer sensibilities, airiness, freshness, and a feeling of being free. Each artist offers a different series of works.

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Sunrise: the Tale of the Urban Cowboy at Beverly’s

Installation View with Ryan Oskin and Lamar Robillard Installation Shot

Beverly’s is well-known, amongst artists and locals alike, and has been a main fixture of the art community for years. Found on the Lower East Side, right on Grand Street, artists, gallery owners, writers, and curators come here to spend their time after their day is done. Beverly’s owner and creator, Leah Dixon, wanted to make this gallery space an opportunity to get thousands of eyes on work and thousands of conversations started. With their current exhibition, Sunrise, intertwined with the bar, there are many stories to be had.

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John Knuth: The Hot Garden: Renewal and Regeneration from Catastrophe

Sculptural Garden, Installation Shot, photo courtesy of Hollis Taggart

Seeing John Knuth’s exhibition, The Hot Garden, at Hollis Taggart’s new downtown outpost was wonderful, surreal, energetic, and unexpected. This is Knuth’s first major body of work following the devastating Eaton Fire in January 2025, which destroyed the artist’s home and archive. This exhibition gives us an opportunity to see fragments of the past and the birth or rebirth of something entirely new out of the ashes, embodying the quote in the press release from Octavia Butler’s Parable of the Sower, writer and once Altadena resident, “All that you touch, you change. All that you change, changes you.”

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Lineage and Latitude – Divergent views sparking newfound conversations at IW Gallery

Overall Installation Shot

This group exhibition at the IW Gallery brings together a wide array of artists, visions, and mediums. Each of the eighteen artists in the show is connected in some way, whether it be from Pratt Institute, they are former international students who have decided to stay and continue making work, all the way to friends and former classmates. This grouping is an eclectic amalgam of stories and inspirations that diverge in their own ways and reconverge to create new conversations. Many of the artists in this exhibition use their work to embody their stories, memories, and histories. Pieces of their lineages, carrying across various places to join together in one location starting an ever expanding dialogue with each other.

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Feeling the Onslaught of the Moment at Field of Play

Lauren Clark, Four Points Round, oil, acrylic, cotton mesh, copper, glass beads, iron, malachite, 40 x 20 inches

The exhibition at Field of Play gallery titled Onslaught of the Moment was wonderful, intriguing and timely all in one. The gallery’s exhibitions are always deeply considered and engaging, even within a smaller space, the works all shine and carry with them quite the presence. The shows are always curated with care, and this exhibition was no exception. Curated by Kate Sherman, the works of Lauren Clark, Masie Love, and Brian Karlsson each traverse space and show a progression of both time and experience through each artist’s process.

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UNBIND: FIGURING THE LAYERS OF BEING with the New York Studio School

Leaves, oil on canvas, 54 x 36 inches

Upon entering the exhibition I was struck at the presence every artist’s work had. While every piece was quite different from one another, they all shared similar conversations and offered viewers the opportunity to question human experience, histories, intimacy versus public viewing, and dealing with what it means to feel human. With nine artists, and diverse mediums, the complexities of being are shown clearly and each artist has their own take on “layers of being”.

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Salman Toor and Intimate Histories at Luhring Augustine

Salman Toor - Wish Maker - Exhibitions - Luhring Augustine
Salman Toor at Luhring Augustine

This exhibition of Salman Toor’s paintings acts like snapshots in a story or a movie, each depicting a separate experience. Every piece draws you in and carries a true push and pull within the composition. The push and pull that drew me in was the idea of public versus private that emanates from within the work, the dream and reality, and just how much intimacy Toor decides to share with us. The feelings of intimacy and vulnerability come from witnessing the lives of the figures Toor presents, leaving us to wonder if we are allowed to bear witness to these moments, or if we’ve just “walked into” something meant to be entirely private.

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Ghada Amer: New Directions and Disobedient Thoughts at Marianne Boesky Gallery

Installation view

Upon entering this exhibition, I was taken to the wall pieces immediately, especially the use of vibrantly colored embroidery string mimicking paint strokes on the canvas. Art historical references and connections are very prevalent in the works of this exhibit. It was refreshing to see this conversation of the painting canon being brought up in a contemporary light by the use of this novel medium. Amer’s love and interest in the history of painting is apparent, and her works show art historical influences intertwined with intuition and a strong painterly hand that is present despite there being no paint in the show.

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William Carroll- Trees at 57w57arts

Installation shot (photo courtesy of 57w57st Gallery)

Willam Carroll’s newest painting series titled Trees has found a nice place to debut in 57w57arts. Each artist has their own room within the gallery space, the other artists include: Michael Voss, Steph Krawchuk, Seth Dembar, and Christopher Boyne. The rooms are also active office spaces where employees and clientele enjoy the work during appointments. Carroll’s series of seven new paintings on wood panels find themselves in the waiting room, stoically standing alongside a wonderful view of the New York Public library right outside of a nearby office window. Seeing the work within this space, especially it being a waiting room, allows viewers an opportunity for quiet contemplation, a foil to the hustle and bustle of what is right outside. You begin to feel as if you are journeying through the forest on a silent winter day.

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