Contemporary Art and Culture
“Childhood” has always been a fertile source for artists in all disciplines. We all had a childhood and, for better or worse, we all carry memories that often haunt us throughout our lifetimes. Ruby/Dakota, a scrappy young gallery in the East Village is presenting a two- person show entitled What The House Dreams Of that brings together two young artists with memories to share.
Continue reading “What The House Dreams Of – Two painters at Ruby Dakota Gallery”
The Wallace Collection, a storied historic mansion in London that houses an extraordinary, far-ranging collection of art and objects, invited the artist Grayson Perry to embed and create an exhibition that responds to their collections. Collected during the18th and 19th Centuries, the museum is dripping in Rococo, houses breathtaking Old Master paintings, amour, ceramics, medieval relics and sculpture. It would be, for a lesser artist, a daunting assignment.
Continue reading “Delusions of Grandeur -Grayson Perry at the Wallace Collection”
On The Spot is a terrific new web series that seeks to document the histories of women artists in NYC from the 1950s to the 2000s. The ambitious mission is to document and present in three-minute videos the history of later 20th-century artists who have often been overlooked and underrepresented in the larger art world. They call themselves “a feminist art history nonprofit.” There are 40 videos so far produced, with plans for a great many more. The videos are a free public resource, accessible on the organization’s website.
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This past weekend New York saw the latest iteration of the Outsider Art Fair. Started in 1993, it has become a NYC institution and seems to be thriving after a few lean pandemic years. The Fair serves a field that has evolved a great deal over the past 30 years, and I really felt that this year more than in the past. As the number of now “blue chip” or “Old Master Self-Taught” artists dwindle, there’s been an influx of both younger artists and some who push against the definitions of self-taught in the first place. It’s a sticky subject and one that I have no answer to.
Continue reading “Insider Outsider”
“She was weird,” said the Columbus Museum of Art curator affectionately of artist Aminah Brenda Lynn Robinson at the press preview celebrating the late artist’s work. She went on to explain that Robinson made her own art supplies, lived an unconventional and rich life, making art in many mediums and acted as an informal archivist and raconteur of her community. “Weird,” in this context is a high compliment. Fort Gansevoort, an eccentric gallery in New York’s Meatpacking District announced its representation of Robinson’s estate (1940-2015) in collaboration with the Columbus Museum, to which Robinson bequeathed her work and archives. It’s a perfect match between artist and gallery.
Continue reading “Aminah Brenda Lynn Robinson: Character Studies, Curator: Character Studies at Fort Gansvoort”
Llyn Foulkes is a 90-year-old painter, jazz musician, troublemaker and visionary. After making a splash entrée on the American art scene in 1961, he hopscotched around the artworld, changing genres and styles as his restless mind embraced new ideas. He has been “consistently inconsistent” (from his website), wonderful for an artist, but not always strategic for a career. The commercial art world can be somewhat conservative, preferring that an artist find a groove and stick to it. As a result, though brilliant, Foulkes has not yet achieved the wide recognition that he deserves.
Continue reading “Llyn Foulkes: The Untied State of America”
Martin Wilner’s compelling new show at BravinLee Projects is both conceptually and visually complex, the work of an intellect working on several intersecting planes. Wilner is a practicing Freudian psychoanalyst, a scholar, and mentor to analysts in training. He is a self-taught artist whose work reflects his involvement with the human psyche, popular culture, and comic strip art. His artistic practice is intertwined deeply with his psychoanalytic work and comes with an interesting twist; Wilner the therapist invites the public to engage deeply with the world of Wilner the artist via social media.
Continue reading “Martin Wilner -The Case Histories: When We Cease to Understand the World (Extraterrestrials on The Couch)”
Rarely has there been a group of people as uniformly elegant and graceful as those who inhabit Lubaina Himid’s paintings, currently on view at Greene Naftali in Chelsea. Entitled Street Sellers, Himid has created a group of large, figurative paintings that pulse with vibrant color and life. These graceful, solo figures proudly present their wares to us–eggs, birds, musical instruments, and fish, as they move through the landscape.
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BravinLee Projects has just launched an audacious, big, and bold exhibition of 60 contemporary artists working in textile or textile-related mediums. It’s a massive show in an unlikely pop-up space. A five-story historic brick warehouse building in the Seaport that is anything but the cool, clean white box gallery that we are used to. The walk-up gallery space has vintage wide planked flooring, old fireplaces, and deeply aged brick walls. Though it must have been a challenge to curate in the space and even more of a challenge to install, the result is a fascinating presentation of artists working in a wide range of materials and styles.
Continue reading “The Golden Thread – BravinLee Offsite at The Seaport”
There is an astonishing amount of information in John O’Connor’s drawings. The work, currently on show in Chelsea at L’Space Gallery, explodes off the paper with words and numbers, names, logos, and dates. It’s information overload, and that is part of the genius of the show.
Continue reading “Man Bites Dog Bites Man”