Deanna Sirlin, Wavetable, installation view at 211 East 43rd Street, NYC, NY
Deanna Sirlin’s Wavetable, on view in the lobby of 211 East 43rd Street, New York, includes seven recent paintings, all 7 feet by 5 feet, arranged in a line that turns a corner. Produced between 2020 and 2023, at the height of the pandemic, the paintings in Wavetable offer an eye-popping meditation on connections. As the world went into lockdown and our interactions and connections with others were circumscribed, Sirlin explored interaction and connection through these paintings.
It consists of nature walks and community interventions in the gallery and various locations throughout the Bay Ridge community from April 15 through June 17, 2023. Art Spiel will feature a series of interviews related to this project throughout its duration, here with artist Nancy Nowacek.
It consists of nature walks and community interventions in the gallery and various locations throughout the Bay Ridge community from April 15 through June 17, 2023. Art Spiel will feature a series of interviews related to this project throughout its duration, here with artist Peter Edlund.
Embarking on a gallery-hopping adventure in Tribeca frequently leads to delightful experience for art aficionados and curious wanders alike. While not every artwork you encounter may make your heart skip a bit, or even resonate with your personal taste, Tribeca’s growing cluster of galleries promises an ever-increasing chance of stumbling upon captivating and thought-provoking artworks. In this article, join me on a curated journey through four compelling painting shows taking place throughout June.
Kate Dodd, E. J. McAdams & Jennifer McGregor enjoy haiku installed in the ceiling lamps by E.J. and Jimbo Blachly as part of Kate’s Bay Ridge Tree Collection at the Bay Ridge Branch of the Brooklyn Public Library. Photo courtesy of E. J. McAdams.
Bay Ridge through an Ecological Lens is a multi-faceted public art exhibition hosted by Stand4 Gallery and presented in collaboration with ecoartspace
It consists of nature walks and community interventions in the gallery and various locations throughout the Bay Ridge community from April 15 through June 17, 2023. Art Spiel will feature a series of interviews related to this project throughout its duration, here with curator Jennifer McGregor.
Bonny Leibowitz “I Make My Own Weather”, “Raindrop installation”. photo courtesy Bonny Leibowitz
In her installation-based exhibition titled I Make My Own Weather at the MAC in Dallas, Bonny Leibowitz explores the validity of social constructs and the reliability of acquired or assumed perceptions, implying separateness, otherness and disconnection. Leibowitz’s work utilizes and expounds upon the landscape painting traditions of idealized histories, such as the Hudson River School, Romanticism, and Baroque. The installations act as deconstructed paintings, as though walking through fragments of represented landscapes—a tree root painted epoxy green, an Astro turf tarp in the shape of a pond, a peeling away of a blue sky.
Liu Shiming. All photos courtesy of The Liu Shiming Foundation.
Art non-profits play a critical role in fiscally supporting and guiding emerging artists. Founded in August 2021, The Liu Shiming Art Foundation was created to preserve the legacy of artist Liu Shiming’s work as well as to support art students and emerging artists. In April, the Foundation announced the very first ten recipients of the Liu Shiming Art Grant. Channeling Shiming’s longstanding passion for the arts, the $3,000 grant is given to young artists who are no longer enrolled in school or students enrolled in institutions outside of the Foundation’s partner universities and colleges.
It consists of nature walks and community interventions in the gallery and various locations throughout the Bay Ridge community from April 15 through June 17, 2023. Art Spiel will feature a series of interviews related to this project throughout its duration, here with artist Christopher Lin.
John Molloy Gallery: installation view “Cutting Corners”
Bob Seng’s collages at John Molloy remake and reimagine the iconic EXIT sign. The artist says that he has chosen these ubiquitous signs for their attitude, a “go out” directive to an alternate space and time, and for their combative red and black elements. Initially he approached these signs as if they were archaeological excavations, selectively removing layers of the red and black paint to reveal what he imagined as “lost” civilizations buried underneath, “possibly a harbinger of our own in future time.”
Welcoming Good Fortune 2012 graphite 24.8 x 28.6 x 0.8 in. Antique frame hand finished by artist
Frances Smokowski’s intricate drawings are currently receiving their NY debut at Cavin-Morris Gallery. EDGEWALKERS: Sacred and Profane presents a dynamic array of contemporary works. Randall Morris and Shari Cavin have gathered a diverse, international group of artists for this rather groundbreaking exhibition. Randall notes the select do not respond in any intentional way to mainstream movements or trends but for sidestepping, ignoring or living in honest unawareness of them. “These artists are not Outsiders,” he explains. “They are vitally connected to this world, whether spiritually, socially, or politically. We look for the place where labels become irrelevant and the work remains urgent, immediate and singular.”
