Installation View, Doron Lanberg at Victoria Miro, courtesy of the writer
With the excitement of the art fairs behind us it’s time to take one look back at The Armory Show and note a couple artists to watch this year who clearly stood out in the whirlwind of that weekend.
There is a hidden gem on view at Mana Contemporary in Jersey City—an art book group show of 15 artists carefully curated by the directors and curators of Monira Foundation and Mana Contemporary. The exhibition unfolds across two rooms. In the first space, the viewer encounters a dimly lit room of suspended tables uniquely designed by Kele McComsey. On each table, there is a carefully curated display of artist books—a rare opportunity to view this uniquely expressive form of art. During the run of the show, the curators periodically shift some books, while others are welcome to be handled. This is an incredible opportunity to see artist books and experience their magic. Blurring the lines between book and sculpture, these magnetic art objects have always been a curatorial challenge. They are meant to be experienced, unlike most other art pieces.
Nanette Carter: A Question of Balance at the Montclair Art Museum is an extensive survey of 46 works from throughout the artist’s career curated by Mary Birmingham. Carter is known for her boundless abstractions and innovative works on mylar. This long-awaited show reflects Carter’s long history with the museum, the community, and the town itself. As one enters the show, the first piece is a video titled The Weight from the pandemic days, where Carter films herself balancing various pieces of her two-dimensional painting as more pieces get “stacked” onto the main mass. Setting the mood for the show, it not only introduces Nanette Carter in flesh but also important themes she has been working on throughout her career.
Judith Simonian’s solo show at JJ Murphy Gallery, poignantly titled The Human Element, Huddled and Still, features her latest paintings from the past few years. At first glance, there is familiarity in each piece – a living room, a still life, part of a ship – but as one starts to look closer, something starts to happen. Within each painting, there is a portal into another world; there are clashing planes and changing scenes that are so seamlessly blended together the viewer’s brain needs some time to catch up. What is particularly astounding about Simonian’s work is that her subject matter is a humble amalgamation of scenes, spaces, and objects one would encounter in everyday life.
On the 4th floor of one of Chelsea’s heavily trafficked art buildings, Morgan Lehman gallery is presenting a jazzy solo exhibition, Pan Con Timba, by abstract, musically-influenced painter Raymond Saá. This exhibition brings together the artist’s love for music that he skillfully reflects in his rhythmic paintings and spice of his Cuban background; after all , Pan Con Timba is not only a jazz song that inspired Saá, but also a famous Cuban sandwich with guava preserves.
Odeta Xheka, an artist, curator, and mother, has been an avid advocate for women in the fine arts. Her latest endeavor is an ambitious and exciting one, as she opened OXH Gallery in the heart of Tampa’s Ybor City Historic District just a few months ago. I’m sitting down with Odeta to discuss her new gallery, her mission, exciting collaborations, and the current two-person show Time Shards, which will be on view through March 20th, 2025.
Katerina Lanfranco is a painter most known for her magical and fantastical colorful paintings. She recently embarked on a new challenge in her solo show Snowed-In, which is one of her most ambitious projects yet, as she let her viewers in on the process.
From Manhattan to Brooklyn, there is funny business happening in the galleries this holiday season, quite literally. Portraits of humorous creatures in a solo exhibition titled Donut Dog by Nancy Elsamanoudi at Doghouse Gallery are an opening act to the performances at the Brooklyn Comedy Collective. Slightly absurd paintings of “Lost” posters by Jeffrey Morabito crack a joke in a two-person exhibition titled Flat Theater at Space 776 (CLOSING DECEMBER 18th), while a humorous undertone sets the mood in the Paintings and Chairs group exhibition at Zepster Gallery.
As one enters My Pet Ram’s humble gallery space full of moderately-sized Gustonesque paintings, the viewer is transported into the surreal personal nooks and crannies of Michael Gac Levin’s reality. His paintings are heavily influenced by his family life. Familiar landscapes are juxtaposed with foreign characters and shapes. The artist tells a fantastical story in this new body of work through a day in the life of two characters embodied by an apple and a tree-like figure.
Silence Breaking is a hidden gem of a show featuring abstract paintings by Gail Winbury at the Carl and Helen Burger Gallery on Kean University’s idyllic, park-like campus in Union, NJ. A New Jersey native, Gail Winbury’s oil paintings depict interpretations of various poems and personal stories that manifest into abstractions with colliding shapes and colors. Her use of gestural abstraction and expressionist lines reflect her interest in the elicitation of psychological responses via painting. Most of the work in the gallery is in large square format, dominated by celadon or mint blue green – a color frequently ranked among the calmest colors. The Field of Green series, which is most of the show, is a departure for the artist, whose previous series had much more aggressive lines and brighter shapes, which more comfortably rested into a traditional rectangular surface dimension. The compositional choices in this body of work are deliberate and minimal, reflecting a more meditative feel full of cooler tones and calmer transitions.