Contemporary Art and Culture
Lisbon, once a soft whisper in Europe’s art discourse, has shed its translucent slipper. No longer the Cinderella of the continent’s cultural ball, the city now strides confidently onto the stage—a radiant, artful sovereign commanding attention and acclaim. Its metamorphosis over the past decade borders on the operatic—a triumphant crescendo of resilience, urban reinvention, and creative flair.
Chelsea has multiple exciting shows this summer, ranging from large group shows to solo retrospectives. We will highlight three shows with different curatorial premises. The Swimmer, a large-scale group show sprawling over the 9th and 10th floors of the FLAG Art Foundation, centers around the narrative of John Cheever’s short story from 1964, presenting works that dig into its themes and imagery. Another impressive large-scale group show surveys the increasing presence of weaving, textiles, and embroidery in contemporary art, featuring an international and intergenerational group of artists whose works push the boundaries of these traditional mediums. Lastly, at Pretzel, there is a beautifully curated retrospective of Malcolm Morley, offering a glimpse into the fascinating work of the late artist (1931–2018).