Artist: Leslie Kerby

Artworks

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Articles & Reviews


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Shuffling Liminal Episodes at Project: ARTspace

Previewing

The two-person exhibition Shuffling Liminal Episodes at Project: ARTspace features drawings by artists Leslie Kerby and Michelle Weinberg, whose works on paper and vellum resemble snapshots of settings, some of specific places, some imagined, capturing an arrested moment from daily life. Both storytellers at heart, the two artists draw objects as protagonists in their visual tales. A desolate bench, a studio table with a lamp, a tiny figure stepping out of a big house —random belongings, furniture, activities of daily life come to the forefront, projecting an inner life while also hinting at human life outside their inanimate existence—always with a lingering whiff of humor. Kerby and Weinberg also share a collage aesthetic which works well to unify their fragmented narratives.

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Leslie Kerby: Happy Place Project

Art Spiel Photo Story

In early February, the bleakness of winter got to the New York City based artist Leslie Kerby. She decided to reach out to friends near and far, as she had done during lockdown, this time asking them to send photos of the places around their house where they were able to find some solitude. She contacted everyone individually which opened up possibilities for longed for exchange. To her delight she received many beautiful photos. It took her a couple of days to figure out how she would paint from them. Ultimately, she decided on watercolor, acrylic, and mixed media collage on vellum, which enabled painting on both sides, while letting the light in. “It was a gift to visit with everyone in their home. A testament to the value of human connection,” she says.

 NEW LINK to whole project

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Artists on Coping: Leslie Kerby

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Leslie Kerby works in a variety of media to create thematically interlinked bodies of work. Motivated by social networks at moments of change, she examines the shipping container and medical industries, cemeteries and financial inequality. Represented in collections at Columbia University and Bradbury Art Museum, Arkansas State University, Kerby has received commissions from Norte Maar, BRIC Arts | Media and Visual Arts Center of New Jersey, and was awarded residencies at the American Academy in Rome, the Virginia Center for Creative Arts (Virginia and France), and the School of Visual Arts. Her work has also appeared at Verge, Spring Break and AQUA Miami, and has been reviewed by Hyperallergic and Two Coats of Paint.

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Leslie Kerby: At a Moment of Change

[caption id="attachment_1367" align="aligncenter" width="500"] Leslie Kerby,Shots and Ills, 2015, mixed media collage, oil, paper, litho transfer ink, 18-x-20 inches. Photo credit Bill Orcutt[/caption]

Leslie Kerby creates mixed media collages, installations, and diverse collaborative work with nuanced commentary on current social and cultural climate. In her interview with Art Spiel she sheds some light on her diverse professional background, art-making process, ideas, and plans.

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Visual Arts Center of New Jersey – Global Angst

[caption id="attachment_1340" align="aligncenter" width="500"] “Containment”, partial Installation view at Visual Arts Center of New Jersey, (right wall: Erin Diebboll,  center front: Linda Ganjian,  left: david Packer), photo by Etienne Frossard[/caption]
The  group of international artists throughout the two exhibitions at the Visual Arts Center of New Jersey – “Containment” and “Oh what a world! What a world!” are altogether reflecting on social, political, and cultural changes in recent history.  “Oh what a world! What a world!”,  located in the Main Gallery, addresses a wide array of issues related to immigration, gender equality, civil rights, policing, protest, and the state of our Democracy. “Containment”, at the Eisenberg and Strolling Gallery, addresses specifically  hot trade issues –  how the use of shipping containers affects our ability to trade and ship goods globally, coming to the forefront with Trump’s attempts to remove the country from existing trade deals. Both shows were curated by  Mary Birmingham. The following preview on the two shows is largely based on text provided by the NJ Visual Arts Center.
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Dialogue between Art and Life: suggestion, that is the dream

[caption id="attachment_85" align="aligncenter" width="500"] To My Mougouch (dedicated to Agnes Magruder) by Arshile Gorky; all photos courtesy of Outlet gallery website, unless otherwise noted[/caption]

In response to Arshile Gorky’s colored drawings exhibition, an ARTnewsreviewer back in March 1947 declared that Gorky is in no sense a draftsman and that his drawings “must be appraised as doodlings, for psychological rather than formal interest.” More than sixty years later, an exquisite Gorky drawing from 1946 on loan to Outlet gallery, serves as a starting point for a vibrant dialogue between more than thirty contemporary artists with strong and distinct personal iconography and some shared formal concerns.