Articles & Reviews

GLASSTRESS 2022: State of Mind at Fondazione Berengo Art Space

Art Spiel Photo Story

Jimmie Durham, Untitled (detail), 2020- Photo credit Francesco Allegretto, Courtesy of the artist’s estate (6)

Coinciding with the 59th Venice Biennale, the seventh edition of Glasstress, running from 3 of June to 27 of November 2022 in Venice, features a group of leading contemporary artists from Europe, the United States, Latin America and Africa in an ambitious exhibition who explore the infinite creative possibilities of glass. The artworks will be exhibited at the Fondazione Berengo Art Space in Murano, an old abandoned furnace that was transformed into a unique exhibition space a few years ago. This extensive group show, curated by Adriano Berengo and Koen Vanmechelen with the contribution of Ludovico Pratesi, channels diverse contemporary art through the ancient art of Murano glassblowing, aiming to search for new contemporary visual vocabulary in glass art.

Women to the Fore at the Hudson River Museum

In Dialogue with co-curators Laura Vookles, Chair of the Curatorial Department, and Victoria Ratjen, Curatorial Assistant

To celebrate the 100th anniversary of the passage of the Nineteenth Amendment guaranteeing women’s voting rights, Women to the Fore, the current group exhibition at the Hudson River Museum features more than forty female-identifying artists, spanning one hundred and fifty years. The two curators, Laura Vookles and Victoria Ratjen, selected diverse artworks across media —paintings, drawings, prints, photographs, collage and sculpture— from the Museum’s permanent collection, regional artists, galleries, and collectors. The exhibition includes works by renowned artists like Marisol, Judy Chicago, Louise Nevelson, and Mary Cassatt among many others, and less recognizable contemporary and 20th century artists. For instance, one of the highlights in this show is Anna Walinska’s self-portrait which not only marks her first return to the walls of the Hudson River Museum in over 60 years, but also brings to light her significant role in the art world of her time, including her dedication to promoting the work of other artists, like Arshile Gorky, who got his first New York City solo show in the mid-30s at the Guild Art Gallery, an art venue she founded and ran.