Artworks

Articles & Reviews

The Immigrant Artist Biennial Names 48 Artists and Art Spiel as Media Partner for their 2nd Edition

The second edition of The Immigrant Artist Biennial, titled “Contact Zone”, will showcase the work of 48 artists at seven locations across New York and New Jersey from September to December 2023. The curatorial trio adopted the biennial’s theme from a term coined in 1991 by linguist and critical theorist Mary Louise Pratt, which she used to describe “social spaces where cultures meet, clash, and grapple with each other, often in contexts of highly asymmetrical relations.” Katherine Adams, co-curator and an affiliate of EMPAC, explains in a statement how this concept guided their curatorial research: “It allowed us to work with a productively fractured relationship to place. It also encapsulates our attempt to find an organizational concept for artistic infrastructures that are diasporic in form and not only content—that can deal with effects of situations such as exile, alienation, or simply the elusive concept of home.”

Decolonizing Ecological Encounters at The Gallatin Galleries

Featured Project with Co-Curators Anastasia Amrhein and Patricia Eunji Kim

Fluid Matters, Grounded Bodies: Decolonizing Ecological Encounters at the Gallatin Galleries in New York City explores complex questions around impermanence, belonging, transformation, and erasure as they relate to human and non-human lives and the earth itself. The exhibition showcases the work of several contemporary artists, of various backgrounds, who utilize a broad range of media. It includes work by Farah Al Qasimi, Beatriz Cortez, micha cárdenas, Tessa Grundon, Joiri Minaya, Ada M. Patterson, Himali Singh Soin, and Alexis Rider, among others. The show runs from July 22 to August 17, 2022. Co curators Anastasia Amrhein and Patricia Eunji Kim shed some light on this group show.

Lacey McKinney in Domestic Brutes at Pelham Art Center

In Dialogue with Lacey McKinney

Lacey McKinney who resides in Upstate New York, is drawn to the alchemy of processes like painting and alternative photography. For the last several years, McKinney has worked within the framework of painting, using figuration to reference embodiment. Usually splitting her time between working in the studio and teaching, this year she feels lucky enough to embark on a one-year teaching sabbatical, which has given her extra time for experimentation with other media such as using cyanotype process to make photograms that incorporate into collage and mixed media works. The artist shares some insights on her body of work in Domestic Brutes, the all women group show at the Pelham Art Center which engages the visitor with diverse approaches of what feminism means in American society today.

Internalized Borders at John Jay

[caption id="attachment_318" align="aligncenter" width="364"] Francisco Donoso, Between Passages, installation, 2018, photo courtesy of the artist[/caption]

Curated by Maria de Los Angeles and Susan Noyes Platt, the group show “Internalized Borders” at John Jay  College of Criminal Justice examines the various ways in which language and legal systems create internal and external borders. It addresses urgent issues of  immigration, detention, and deportation; especially focusing on how these issues are related to fear, criminalization of identity, economics of migration, and  perception of otherness.