Mary Ann Unger: To Shape a Moon from Bone at WCMA

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Installation view of Mary Ann Unger, WCMA

Power. Power, not bravado, not ego, but the power of intelligence, skill, fortitude, and vision is what Mary Ann Unger possessed and that is what is on exhibition at Williams College Museum of Art (referred to as WCMA). Throughout her life she defied limitations frequently imposed overtly and subconsciously on women. Attending Mt Holyoke College in the mid-60s, she studied biochemistry when few women were found in science departments, then transferred to studio art taking up welding, casting and carving. This was not the typical route for women during the mid-to late 60s. She traveled on her own to North Africa and this journey greatly influenced her work. Returning to New York she completed an MFA at Columbia and launched her career as a post minimalist sculptor, finding herself in the minority amongst a sea of men.

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Who Gets On The Front Cover?

Study for “Mother/Son”, 1984, Ink on Artforum magazine cover. (March 1977), 10.5″ x 10.5″, photo courtesy of the artist

Enter Thompson Giroux Gallery in Chatham NY and come face to face with what we as artists, curators, critics, gallerists and historians consciously and subconsciously know; we are missing greats. Arthur González’s exhibition, Ego Diaries confronts the art world and those who control the keys to the kingdom and anoint who is recognized and who is not.

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