Cartoon in a Cartoon Graveyard at Super Dutchess

In Dialogue with Andrew Woolbright

Installation view of Cartoon in a Cartoon Graveyard. Alex Kovacs, Fernando Pintado, Craig Taylor

Andrew Woolbright, a NY based artist, curator and founder of Super Dutchess, shares with Art Spiel the genesis of this lower east side art space, sheds some light on its key organizers, and describes the philosophy behind it. He elaborates on Cartoon in a Cartoon Graveyard, the 3-person current show that he has curated at the venue, with an upcoming reception on January 10th.

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Margalit Berriet on HAS – The Magazine of Humanities, Arts and Society

Art Spiel in Dialogue with Margalit Berriet

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Mémoire de l’Avenir in Image, Exposition Kind Of Magic 1, 2019

Arts and Society launches a call for contributions for HAS, the new digital magazine in English and French for the Humanities and Arts in Society, to be published in Spring 2020. Arts and Society is a project launched on the initiative of UNESCO-MOST, the International Council for Philosophy and Human Sciences (CIPSH), Mémoire de l’Avenir (MDA), in partnership with the Global Chinese Arts and Culture Society (GCACS). Arts and Society is a global movement of artists and projects reflecting on the impact of creativity in society, using the arts and cultures as fundamental tools for improvement, innovation and transformation. The goal of this new publication is to analyse current challenges through the lenses of the humanities and the arts. Created for a wide audience, HAS offers a space of expression for the most innovative, enlightening, imaginative, creative and relevant initiatives around the world.

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“Now You’re Looking” – Akshita Gandhi at Pulse

Anna Mikaela Ekstrand in dialogue with Mumbai-based artist Akshita Gandhi

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Akshita Gandhi, Angel, 2019, Lightbox, 48_ x 32.5_Photograph courtesy D’Arte Mart(eKo-System Inc)

Miami Art Week is bigger than any other global fair as it attracts a wide range of audiences. Centered around Art Basel Miami, Miami Art Week is the catch-all term for the seven day art world bonanza in December packed densely with art fairs, public art, interventions, activations, pop-ups, parties – basically all forms of art shows – often sponsored by companies who capitalize on the opportunity to reach art world professionals, art lovers, celebrities, and trend-setters. You might already know this, great. What you might not have considered is what it feels like to be an artist within this bustling eco/nomy/logy.

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