Photo Story
Rubble, mutated crop fields, floods, scorched earth, and occasional female figures floating or submerged unfold throughout the sixteen landscape paintings in Deborah Wasserman’s current solo show, The Bitter Earth at Kuma Lisa. Though the paintings differ in scale and media—from small acrylic and oil on panels to larger acrylic, oil, and stained clothes on canvas to medium-sized works on paper—they all share the sense of a world where multiple perspectives from different vantage points co-exist. Wasserman’s energetic strokes and searching lines create a rhythmic movement upward, downward, and sideways—reminiscent of the fluidity in Chinese and Japanese calligraphic scroll paintings and the clear, directional lines of a hand-drawn map. These linear dynamos intertwine with a palette of earthy tones, greens, yellows, oranges, blues, reds, and pure blacks, creating multiple vignettes within a layered landscape.
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