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L.W.D: Rooted in LA

In Dialogue
Courtesy of the artist

L.W.D. sees himself as an observer of modern society—a world that has, in many ways, passed him by over the last three decades. L.W.D.’s work is rooted in the assertion of his personal identity within the fractured American society. His art reflects the painful shift from childhood to adulthood, a transformation that feels almost brutal, marked by the loss of innocence in the face of America’s historical realities. His perspective of the American way of life, capturing both the disappointments and fleeting joys, recalls the social commentary of Philip Guston—particularly in the simplicity of his cityscapes, yet with a distinctive handwriting, palette, and choice of subjects. L.W.D.’s visual language fuses the emotional character originating from blues lyrics and the iconic symbolism of Roy Lichtenstein’s pop art. Working within the tradition of the naive picturesque narrative, L.W.D. incorporates the humor of a comic book while maintaining his focus on the historical and the social.

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Non-Profits Shine at The Outsider Art Fair

Creative Growth guy.jpg
From Creative Growth, Oakland, CA.

This past weekend marked the 30th anniversary of the Outsider Art Fair, which debuted in NYC in 1993 at The Puck Building. Now housed at The Metropolitan Pavilion in Chelsea, it has come roaring back after a few quiet pandemic years.

Out of the sixty-four galleries exhibiting thirteen were representing non-profit organizations that work with developmentally challenged populations. For me these were the most exciting booths at the fair. The non-profits bring work that is consistently fresh and exciting. This year’s fair included organizations from Germany, Portland Oregon and Chicago that I had not seen in previous years. Several showed work among the most surprising and compelling at the Fair.

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