Manufacturers Village Artist Studios, located in an 1880’s historic industrial complex at 356 Glenwood Avenue in East Orange, NJ, will feature the work of over 60 different artists at its annual open studios weekend, Friday 10/15 (VIP Preview) and Saturday thru Sunday from 11-5, 10/16 and 10/17.Continue reading “Kate Dodd: MVA Open Studios”
In Dialogue with Yvette Molina
Big Bang Votive, Yvette Molina’s collaborative storytelling art installation has evolved over fifteen weeks, utilizing the Mitzi and Warren Eisenberg Gallery at the Visual Arts Center of New Jersey through January 18th, 2021. Yvette Molina creates an immersive audio-visual experience — accompanied by a 30-minute surround sound composition played on a loop, her installation includes three hundred paintings of starry skies, some with votive symbols of delight or love taken from stories gathered from the public, a work-table with the artist’s materials, and an on-going “story catcher” project involving public participation.Continue reading “Yvette Molina: Big Bang Votive at the Visual Arts Center of New Jersey”
During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
Jeanne Brasile is interested in repurposed paper as a medium, especially when its original function is outmoded, and structured to communicate information that is currently transmitted in a digital format. Most recently she has been working with library card catalogues, Braille newspaper pages, vintage dictionaries and newsprint to make wall sculptures on canvas or board. She shreds, cuts, folds, weaves, sews and curls paper – reassembling the pieces to alter the data it once conveyed. Her work has been shown most recently at the Montclair Art Museum, The Pascal Gallery at Ramapo College of New Jersey and the Mattatuck Art Museum.Continue reading “Artists on Coping: Jeanne Brasile”
“The stream of sap in the trees varies according to the phases of the moon.”
-Theodor Schwenk, Sensitive Chaos
Sandra Chamberlin’s sculptural installations invites the viewer to enter a three-dimensional drawing of alternate life-forms. Lines made of wood float off the walls, hover in the air, or balance on the ground, altogether creating a sense of abstracted life-forms. These linear sculptures are deeply rooted in the artist’s intriguing relationship to materials and processes which overall tie into her intricate perception of nature. Since the early eighties, Chamberlin has been making out of wood abstracted shapes through meticulous manual and mechanical processes she has perfected over these years.Continue reading “Sandra Chamberlin, on Breathing Underwater”