Michal Gavish: Neuro Land at the American Association for the Advancement of Science (AAAS)

Photo Story
Synapsing 2023, mixed media on translucent architectural paper 76-82” H X 200” W (5 panels)

In planning her new exhibition at the AAAS gallery, artist Michal Gavish envisioned painted images of neurons enveloping the spiral-shaped gallery space, extending upward, downward, along, and away from the walls. Following an extensive phase of research and creation, spurred by personal family tragedies, Gavish created Neuro Land, a field guide to neurons. She devoted a piece to representing each type, painting a set of larger-than-life nerve cells images on fabric and paper. Gavish later assembled these pieces layer by layer, echoing the scientific method used in constructing representations of the unseen—similar to how MRI technology captures internal snapshots in segments and reconstructs them in three dimensions. While engaging with this invisible realm, Gavish reflected on her former practice as a scientist, interrogating the expansive vistas revealed through IR, X-ray spectra, or under the electron microscope.

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Artists on Coping: Michal Gavish

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Michal Gavish, Hidden Features; acrylic on fabric and paper; 86”X60”; 2019; courtesy of the artist.

Using microscopic imagery and collaborative laboratory data, Michal Gavish focuses on DNA and proteins. Her process begins by adopting old traditions of nature drawings that she modifies by constantly searching for new materials. Her installations examine the delicate balance that is essential for bio-structures and their vitality. Gavish is a multimedia artist working on paper, fabric, plastic and video. With her background as research scientist she concentrates on the intersection of art and science. Her work is exhibited nationally and internationally. She writes art reviews regularly and is a contributor to SciArt Magazine.

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Long Time Passing – A Campfire Story

Jeannine Bardo at Stand4

In her recent exhibition at the New York Stand4 gallery, Jeannine Bardo displays her art in the wall and on the wall. The Brooklyn artist paints, scratches, plasters, and finds objects from nature that add up to a set of narratives that she titles “Long Time Passing/ A Campfire Story.” The artworks are subtle, with almost no color. The carvings and objects are not clearly visible at first glance. Bardo invites her viewers to take their time, sit by the fire, and listen as she unravels her tales, using shiny spots that glitter along their progression. As the stories unfold, her calm work reveals a sense of menace that continues throughout the narrative path.

Lifelines, 2019; image by Laura Sacks

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