Upstate Art Weekend, If You Missed It, It is Still Here!

Pauline Decarmo, CHAMPION, 2024, acrylic on wood panel, 24 x 24 inches, LABspace

145 galleries, venues, historical sites, performances, and a few fashion stops and upscale grocers for foodies thrown in for good measure, all scattered across 10 counties north of New York City. This comprised Upstate Art Weekend, a four-day festival highlighting the diversity and breadth of culture in Upstate New York. This was not for the faint of stamina. This is not an art fair. It is a celebration of the creative communities lining the Hudson and the enclaves embedded in the Catskills. I have to believe the intent was never for escapees from urbanity to stop at each little circle on clustered maps. Below are some of the galleries that are the marrow, the heartbeat of the cultural community in specific regions. These are also galleries that exhibit small group and one-person shows that provide a larger window into the artist’s or artists’ thought process. If you missed Upstate Art Weekend, don’t despair; these and other sites are a stable part of the Hudson Valley, enabling anybody to make their own Upstate Art Weekend on their own time. It’s always here, 12 months of the year.

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Magic Mirror: Susan Carr at LABspace

Installation view of Susan Carr’s Girls paintings on top, and self-portraits below, in Magic Mirror

Tired of phrases such as best kept secret, finally receiving her due, and delayed recognition it is time to recognize artists, particularly women artists who are in their prime, evolving both in facility and content. Susan Carr is a quintessential example, an accomplished artist who, over decades, has fearlessly mined the history of her own existence. Her latest exhibit, Magic Mirror at LABspace in Hillsdale New York is a tribute to her dedication, talent and courage.

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Guzman Revisits Kurt and Courtney

A picture containing text, wall, indoor, bed

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Guzman, Kurt Cobain In Bed, Los Angeles, 1992, Archival Ink on Mulberry Paper, 32 x 22 inches

Portraits are collaborations between the sitter and the artist. Sometimes the artist can be overwhelming or patronizing but in most cases the sitter’s vision of how they would like to be seen now and in perpetuity wins out. This is particularly seen in cases of well known personalities. Prime examples are the portraits of Andy Warhol exposing his scars after being shot to both Alice Neel and Richard Avedon. In these vastly different images Warhol clearly wanted the world to know what had been perpetrated against him and how his suffering lingered. When the portraits are images of celebrities, particularly those in the last few decades, the public has a strange sense of possession, teetering on full-blown obsession. The success of the portrait hinges on several factors from the artist including generosity, intelligence, empathy, skill, and creative facility. Fortunately this is what is on exhibition at LABspace in Hillsdale NY, Kurt and Courtney, by collaborative photography duo Guzman. Guzman is made up of Constance Hansen and Russell Peacock. In their 30+ years of photography they have solidified a reputation across all genres from conceptual and documentary work to bringing cool, enlightened, humanizing aesthetics to the commercial worlds of fashion, advertising, and celebrity portraits. As summed up in a recent discussion about their work, Constance Hansen said the intent is not to make a mean photo, but a photo that embraces the person.

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