Chris Ketchie, “WEST”1000 Paintings of Then, 2015-2017 Ink and Acrylic on Wood, 130” x 275” x 2.5”, photo courtesy of the artist
In Size Matters artist and curator William Norton brings together seventeen visual artists and four performance artists from Japan, China, the USA, and the UAE, for whom the notion of scale is central. The curator questions in what ways does scale impact form? How does it affect meaning? And more specifically, how is our perception of scale affected by cultural differences between Asian and Western cultures? Continue reading “Size Matters”
FIRST LOOK at Sharilyn Neidhardt’s solo exhibition
Opening later this week
Sharilyn Neidhardt , If I Can’t Find You There, I Don’t Care, 2017 oil on unframed canvas, approx 54 x 70 in, photo courtesy of the artist
Sharilyn Neidhardt’s vivid paintings in SUPERMASSIVE BLACK HOLE, at Art During the Occupation Gallery resonate with the zeitgeist of late-stage capitalism, when human connections are strained by a barrage of information and convenience. The fractured urban landscapes she portrays bring to mind reflective surfaces and fragmentation, altogether projecting a simultaneous sense of alienation and elation that are associated with any big city life. Continue reading “Alienation and Elation at Art During the Occupation”
Jeff Liao, Coney Island from Steeplechase Pier, pigmented print, 2011, image courtesy of LYK Art Projects
Curated by LYK Art Projects,”Perfected Scene” the upcoming show at John Doe Gallery features work by Jeff Liao, Jaye Rhee and Jason River, whose photographic works share a sense of manipulated stage-like worlds. Jeff Liao creates cityscapes with Utopian undercurrents, Jaye Rhee questions authenticity in making art, and Jason River creates enigmatic spaces with bare bodies and everyday objects. Continue reading “Perfected Scene at John Doe”
Kevin Curran, Objects from the End of Western Civilisation
All Photos courtesy of the artist and Norte Maar Cypress Hills Gallery
In his exhibition at Norte MaarCypress Hills gallery, Kevin Curran uses interior design elements as a departure point for an installation – combining wallpaper, rugs, vases, framed works on paper, wall-mounted and free standing sculptures. His surfaces merge opulent materials like crystals and gold leaf, with rough-hewn casual aesthetic. This exhibition includes drawings that refer to Afghan war rugs as well as political tensions in the US. The symmetry of rug design paired with natural and man made forces of destruction highlights the fine line between an orderly society and chaos. The imagery brings together a little boy’s enthusiasm for rockets, trucks and guns with the perspective of an adult’s anxiety driven by real world events. Continue reading “Objects from the End of Western Civilisation at Norte Maar”