Previewing
Natalie Westbrook’s exhibition at ZYNKA Gallery in Pittsburgh features new paintings on canvas and drawings on paper. Westbrook depicts faces as thick lines immersed in saturated hot pinks, greens or monochrome gradations—altogether fluctuating between the monstrous and the angelic, the scary and the pathetic. Sometimes they are solitary and sometimes they indicate twins or perhaps a fragmented self. In her catalogue essay on Natalie Westbrook’s work, Larissa Pham observes that Faces “come for you, leering, grinning, mouths a garish lipsticked rictus of joy, embedded flat against the canvas, their features seeming to emerge from the psychological fabric of the painting itself.”
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