Artist Anonda Bell reflects in her mixed media installations on a range of complex notions—from exploring different ways women have been perceived throughout history to environmental concerns. The entry point to her projects include homages to historical figures like the American feminist Charlotte Perkins Gilman who protested in her book Yellow Wallpaper the oppression of women at the end of the 19th century, and the Australian Lindy Chamberlain who was falsely charged with murdering her baby; references to cultural trends in psychology related to women’s anxiety and Hysteria; or environmental concerns referencing Biophobia and extinction.
Continue reading “Anonda Bell – Incidental Encounters with Nature”