M. David & Co. ,Cosmic Veggies, El Sótano, C&M Creative
M. David & Co.
So certainly sonorous that it’s surely a song is the duet of solo shows by Len Bellinger and Denise Sfraga that didn’t just open, but robustly, vividly, gregariously and, in part, also florally burst into being at M. David & Co. a couple of weeks ago. The energy and dynamism of the works in both exhibits is readily infectious, such that the reception itself assumed the same airs. That might’ve even been what catalyzed some of the springtime climes we’ve felt of late. And if so, great. Let’s see more, please.
Wonderfully striking in bright luminosities, diagonal analogousness, situational room-to-room parallels, transporting suggestiveness and subtly warmed circumstantial frigidities are the two installations ‘contained,’ in a way, by “A Continuous Stream of Occurrence,” an exhibition that opened a few weeks ago at Maspeth gem The Knockdown Center .
At top is Luba Drozd‘s room. It both looks and sounds like a veritable spatial knot of brilliantly site-specific polyphonia involving significant degrees of multidisciplinarity, multimateriality and strata within circumstantial strata of shadow-play. It’s a tough but fun knot to look at and into, and listen closely to, to begin to untie just how it works with totality and relative simplicity, though not in ways simplistic in the least.
Rather than necessarily site-specific or sonic, the active state of William Lamsom‘s installation in the adjacent gallery is like that of a shimmering, gradually phase-changing antechamber to Drozd’s comparative cavern; they scan instantly as visually coherent in many satisfying and still individualizable ways. Entering Lamsom’s room alone is like stumbling into an abandoned research lab in a yearless future. Seeing the rooms in tandem is like being dropped in some nicely mysterious nook on Krypton and having no idea why.
Nina Meledandri ‘s images mostly come in multiples. With sensibility that is both poetic and analytical, she creates series of photographs, paintings, and frequently a combination of both. Altogether her body of work forms a vibrant and imaginative internal dialogue. She shares with Art Spiel some of her thought process, what prompts her imagination, and what has brought her to art.
In her sculptures Sarah Bednarek refers to minimalism with humor and love. She turns minimalism’s aesthetics on its head – utilizing minimalist language of precision to highlight the chaotic and unexpected . Her sculptures are on a human scale – witty and visceral through playful material and form. Bednarek shares with Art Spiel some insight on her life and her recent exhibition, ChiChi DooDad at Tiger Strikes Asteroid New York.