Photography is inherently effective at telling a story of place. Not only of documenting its history, but also possibly of predicting its future – projecting how a place is or is in the process of becoming. For the group show, “Rutland: Real and Imagined,” which opens in January 31, 2019 at The Alley Gallery in Rutland, Vermont, artist and curator Stephen Schaub brings together eight internationally recognized artists who interpret through their use of photography what constructs a sense of place. Altogether, the resulting photographic imagery in this exhibition creates an engaging story about Rutland – not as a single place but rather many places that come together in the minds and lives of the people who live there.Continue reading “Rutland: Real and Imagined”
In Valerie Hegarty’s work, autobiography, history, and art history merge seamlessly into engaging installations with a distinct sense of place – visceral and subtle, layered and focused. An inquisitive rigor runs through her work, stirring in the viewer an appetite for more. Valerie Hegarty shared with Art Spiel some thoughts on art making, her own art journey, and some of her upcoming projects.Continue reading “Valerie Hegarty – Memory of a Place”
Step off of the gray pavement, step out of the chilly dullness of an impending New York City Winter, traverse the threshold of Next to Nothing Gallery, and indulge in the celebration of painting currently on view at 181 Orchard Street.
“Plush Paint: please do not pet, caress, fondle” features the work of Jason Stopa, Osamu Kobayashi, and Susan Carr in a bounty of paintings and sculptural hybrids that boast tenacious gestures, mysterious shapes, and amped up colors. As the eyes adjust to the stark whiteness of the minimalist space, at first glance the work appears as a collection of unearthly gemstones unified by candied commercial hues and vibrating combinations of paint. Robert Erani, Gallery Director and Curator employed the cohesion of color to serve as an “accessible commonality that any viewer can appreciate.” For Erani the visual pleasure of these works seduces the viewer to take a deeper look and discover less obvious nuances that distinguish the individual work of each artist.Continue reading “Plush Paint: please do not pet, caress, fondle”
All images: Austin Thomas collages, photographed by the author
Austin Thomas’s drawings, Lots of little things, currently on view at LABspace, a small gallery in a tiny town, are diminutive in size but vast in scope. Arranged in three irregular rows on one wall, these forty-odd drawings offer the viewer enough to look at for several hours. I have been to the show three times and was sorry to leave each time. They seem to display almost everything drawing can be.
Continue reading “Austin Thomas – Lots of little things at LABspace”
Curated by LYK Art Projects,”Perfected Scene” the upcoming show at John Doe Gallery features work by Jeff Liao, Jaye Rhee and Jason River, whose photographic works share a sense of manipulated stage-like worlds. Jeff Liao creates cityscapes with Utopian undercurrents, Jaye Rhee questions authenticity in making art, and Jason River creates enigmatic spaces with bare bodies and everyday objects. Continue reading “Perfected Scene at John Doe”
Helen O’Leary‘s sculptural paintings are delicate and rough, subtle and raw, literal and metaphoric – they embrace and prick the viewer at the same time. Her current exhibition “Home is a foreign country“ at Leslie Heller indicates not only clear incisiveness and impressive mastery of form, but also a deep generosity- sharing with the viewer her rigorous process of grappling with material: visible jointing, disjointing, bending, folding, knitting. She says that somewhere through the struggle some magic happens. And magic does happen in her artwork. Continue reading ” Helen O’ Leary: No Place for Certainty”