Art Spiel Picks: Just for Laughs Exhibitions in December 2024

Nancy Elsamanoudi, Donut Dog at Dog House Gallery, courtesy of the the artist
HIGHLIGHTS

From Manhattan to Brooklyn, there is funny business happening in the galleries this holiday season, quite literally. Portraits of humorous creatures in a solo exhibition titled Donut Dog by Nancy Elsamanoudi at Doghouse Gallery are an opening act to the performances at the Brooklyn Comedy Collective. Slightly absurd paintings of “Lost” posters by Jeffrey Morabito crack a joke in a two-person exhibition titled Flat Theater at Space 776 (CLOSING DECEMBER 18th), while a humorous undertone sets the mood in the Paintings and Chairs group exhibition at Zepster Gallery.

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Art Spiel Picks: Philly Exhibitions in December 2024

HIGHLIGHTS
“Shared Vision: Portraits from The CCH Pounder-Koné Collection at The African American Museum in Philadelphia (AAMP). Photo courtesy of The African American Museum in Philadelphia (AAMP) 

December is a gift of a month for exhibitions in Philadelphia. Those currently on display at the Philadelphia Museum of Art, African American Museum of Philadelphia, and Fleisher/Ollman Gallery are not to be missed. From macro scale celebrations to quiet personal yearnings in intimate moments, the works in these exhibitions explore the fullness and complexity of artists within and alongside Black contemporary life.

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Art Spiel Picks: Boston Exhibitions in December 2024

 Highlights
Georgia O’Keeffe and Henry Moore at Museum of Fine Arts, Bosto

It’s the end of 2024 and a new year is upon us. As we go into the holiday season to celebrate, reflect, and make resolutions for a new year, let’s also remember to take time to see all the amazing art on view. In Boston, there are several knockout shows to catch while you’re out and about. Whether you’re gathering with friends or going to your favorite gallery’s holiday party, you’ll be spending time with family – chosen and inherited – to feel centered, grounded, and a sense of belonging. Family can be wondrously complicated and beautifully complex in its array of characters.

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Object Relations: Michael Gac Levin at My Pet Ram

A painting of a living room

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We Had an Agreement, 28”x24”, Acrylic on canvas

As one enters My Pet Ram’s humble gallery space full of moderately-sized Gustonesque paintings, the viewer is transported into the surreal personal nooks and crannies of Michael Gac Levin’s reality. His paintings are heavily influenced by his family life. Familiar landscapes are juxtaposed with foreign characters and shapes. The artist tells a fantastical story in this new body of work through a day in the life of two characters embodied by an apple and a tree-like figure.

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Mindscape: Patterns of Identity at L’Space

A couple of men in a room

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Moran Kliger, Installation

In the group show Mindscape: Patterns of Identity at L’Space, people, animals, and places shift and juxtapose, coming together like pieces of a map—one that charts the shared inner terrain of memory, trauma, and identity. Curated by Noa Rabinovich Lalo and Carolina Werebe, with L’Space founder Lily Almog, the show, as Almog puts it, draws on “a shared Israeli heritage and a deep connection to the contemporary art scene in Israel, a country with a rich cultural history and traditions amidst ongoing uncertainty.” And it’s that sense of uncertainty that pulls everything together—voids and absences linger in the air. Even when the work seems rooted in specific places, the setting remains layered and elusive, offering more questions than answers. This is evident in Netta Lieber Sheffer’s sweeping charcoal drawing installation of Sigmund Freud’s Vienna clinic, where he lived and worked for 47 years before fleeing the Nazis in 1938.

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Shiva Ahmadi – Tangle at Shoshana Wayne

Installation view, Tangle
Installation view, Tangle

First thing that pulled me into Shiva Ahmadi’s Tangle exhibition were the pressure cookers. It took me a moment to recognize them: from a distance, they appeared as intricate decorative objects and archaeological relics simultaneously. While the vintage pressure cookers evoked associations of domestic warmth and memories of my grandma’s kitchen, their surfaces etched with Arabic calligraphy and floral ornamentation recall artifacts from a Persian or Arabic cultural heritage museum. The patience and meticulous craft of such engraving parallels the labor of generations of women who spent countless hours in the kitchen crafting their family’s meals.

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A Glimpse into Elza Kayal Gallery: with Eniko Imre

In Dialogue
Gallerist Eniko Imre with the artwork (photo by David X. Levine). Artwork: Katie Heller Saltoun, Endless Ordering (Virgin Mary Cupboard), 2020, ink wash & pen on paper, 51.5” x 77”

Throughout her fifteen years in the art world—spanning fairs, events, curation, and non-profits—Eniko Imre built her career on a deep passion for art, a close-knit community of artists, and the trust many placed in her discerning eye. A year after COVID, during a visit to Tribeca, she was struck by the neighborhood’s burgeoning gallery scene. “Small one-woman spaces were thriving alongside multinational galleries, the blocks around Broadway bursting with art,” she recalls. Inspired by this wave of reemergence, she felt determined to carve her own path and be a part of it—on her own terms.

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Louise P. Sloane: Optically charged text-ures

Louise Sloane in her studio

From an early age, Louise P. Sloane has been compelled by an intense fascination with how color and texture influence mood. “I was one of those art nerd kids who went nuts each time there was a new color crayon from Crayola!” she recalls, describing a childhood shaped by a relentless curiosity about different mediums and textures. Making art quickly became the dominant force in her life, guiding her on a creative journey that has spanned over fifty years.

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Silence Breaking: Gail Winbury at Kean University

Installation view

Silence Breaking is a hidden gem of a show featuring abstract paintings by Gail Winbury at the Carl and Helen Burger Gallery on Kean University’s idyllic, park-like campus in Union, NJ. A New Jersey native, Gail Winbury’s oil paintings depict interpretations of various poems and personal stories that manifest into abstractions with colliding shapes and colors. Her use of gestural abstraction and expressionist lines reflect her interest in the elicitation of psychological responses via painting. Most of the work in the gallery is in large square format, dominated by celadon or mint blue green – a color frequently ranked among the calmest colors. The Field of Green series, which is most of the show, is a departure for the artist, whose previous series had much more aggressive lines and brighter shapes, which more comfortably rested into a traditional rectangular surface dimension. The compositional choices in this body of work are deliberate and minimal, reflecting a more meditative feel full of cooler tones and calmer transitions.

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Stephanie Beck: Bough in Wave Hill

hot air

If you haven’t visited the little paradise up in the Bronx called Wave Hill recently, now is the time to go there, not only to experience the beautiful gardens but to see exhibitions that are not to be missed, one of them being Stephanie Beck’s Bough. Beck, who has always been a risk-taking sculptor, either building cities out of paper or manipulating wood into gravity-defying constructions, speaks with me about her latest body of work constructed from materials found at Wave Hill and bringing to light crucial environmental issues beautifully and elegantly. This is the last week to see the show, which runs through December 1st, 2024.

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