Installation view of ecofeminism(s) curated by Monika Fabijanska, left to right: Eliza Evans, Sonya Kelliher-Combs, Hanae Utamura, Betsy Damon, Aviva Rahmani, and Jessica Segall. Thomas Erben Gallery, New York, June/July 2020 (photos: Andreas Vesterlund).
The exhibition ecofeminism(s) currently on view at Thomas Erben Galleryand curated by Monika Fabijanska, brings together works of sixteen artists in graceful, yet dense and thoughtful way as a museum show would. Albeit in the gallery consistently staging pivotal and sophisticated exhibitions,including among many others shows of Senga Nengudi, Dona Nelson, Painting Forward and Looped and Layered – Contemporary Art from Tehran.
In the context of the global feminist art of today there are a few trailblazers who continue to work and dazzle with their exuberance. Immediacy and mastery of visual resolution signal such fast-paced and intuitive artists. German-born Elvira Bach is one of them. Bach has created a striking painterly style that catches the eye and stimulates further contemplation. For a viewer, Bach’s expressiveness establishes an immediate and deep bond with the traditions of the German Expressionism, embodying in her paintings the Expressionists’ core principle – namely, depicting the artist’s inherent conflicts within the society and within herself. For Elvira Bach urgency of expression, empathy, and visual projection of deep inner strength are important attributes.