Eva Zanardi – Art Spiel

September 21, 2026September 18, 2026, by Eva Zanardi

AMEN : NEMMEN — The Discipline of Listening

The opening of AMEN : NEMMEN, Vince Briffa’s installation on faith and belief, fell on the first rain of the year, closing out a hundred-and-twenty-day drought and the first completely dry Maltese summer in six years. I had not yet met the island’s infamous heat, and on September 14th, as if the island had been holding its breath, the grip finally let go. The narrow stone bridge into Fort St Elmo and the Chapel of St Anne, the exhibition’s site, act as a conduit through time, folding centuries and space into a single, intimate passage of entry. Fort St Elmo’s honey-hued limestone stood monumental, solemn, and unbothered in the late-summer light, the kind of backdrop that makes an installation about faith feel almost inevitable.

June 29, 2026June 28, 2026, by Eva Zanardi

The Biennale That Broke Itself

The 61st International Art Exhibition arrives in grief, political fury, and institutional crisis. It is one of the more galvanizing editions in recent memory.

The lagoon light still flatters everything it touches, but this year, Venice has the feel of a city that stayed up too late arguing. May 7, 2026 — the one morning of the press preview period spared by both rain and protest — was the kind of day Venice is famous for: blue sky and large cinematic cumuli drifting above the Queen of the Adriatic. Police stood watch outside the Israeli and Russian pavilions. The queues at the Giardini were long; those at the Arsenale were longer. In years of attending press previews, I have rarely encountered such a congested or physically demanding environment — the crowd, indistinguishable from a general-public opening, consumed by the compulsive and indiscriminate act of photographing everything in sight.

April 27, 2026April 26, 2026, by Eva Zanardi

How Malta Biennale 2026 Reimagines Site-Specificity

One is never prepared for the Maltese archipelago and its vertiginous dichotomy of antiquity and modernity; an exhilarating compound of ethnicities, languages, and cultures. Though one might consider it diminutive, during the three-day press preview, I traversed the main island, Malta, and its quieter, more pastoral and bucolic sister island, Gozo, in a flurry of taxis, ferries, and buses. (Comino, a nature lover’s sanctuary, remains largely uninhabited.) Malta occupies a distinctly liminal position within the Mediterranean world: a central island shaped across centuries by exchanges among Europe, North Africa, and the Near East. Situated a mere 60 miles south of Sicily and roughly an hour’s flight from Tunis, it has long functioned as a site of passage, encounter, and cultural layering—a geographic palimpsest upon which successive civilizations have inscribed themselves again and again.

September 15, 2025September 14, 2025, by Eva Zanardi

Continental Presence: Europe’s Defining Voice at The Armory Show 2025

The Armory Show 2025 – Daniel Zeller “**Inference**,” 2015, Mixed media, Approx. 95 x. , Pierogi Gallery. Photo by Eva Zanardi

September in New York is a sensory crescendo—fashion, tennis, and art converge in a city that thrives on spectacle. At the center of it all, The Armory Show 2025 returned to the Javits Center from September 4–7, hosting over 230 exhibitors from 35 countries and drawing more than 50,000 visitors. This year’s edition, the second since its acquisition by Frieze, was slightly smaller than last year’s—but no less ambitious. Dealers reported strong momentum from VIP day onward, especially for works at lower price points, while higher-priced pieces moved at a measured pace. Many noted a noticeably younger crowd—engaged, curious, and eager to discover.

August 5, 2025July 28, 2025, by Eva Zanardi

Lisbon Art Atlas: Mapping the City’s Artistic Renaissance

Curated for Art Spiel by Eva Zanardi

Praça do Comércio (Commerce Square), is one of Lisbon’s most iconic landmarks

Lisbon, once a soft whisper in Europe’s art discourse, has shed its translucent slipper. No longer the Cinderella of the continent’s cultural ball, the city now strides confidently onto the stage—a radiant, artful sovereign commanding attention and acclaim. Its metamorphosis over the past decade borders on the operatic—a triumphant crescendo of resilience, urban reinvention, and creative flair.

June 23, 2025June 18, 2025, by Eva Zanardi

ARCOlisboa 2025 and Lisbon’s Renaissance

Lisbon in May presents itself as both majestic and enigmatic, its urban landscape punctuated by clusters of jacaranda trees in full bloom, casting cascades of purple blossoms across streets and sky like botanical fireworks. The city’s legendary seven hills form a natural amphitheater overlooking the Tagus River, creating an endless choreography of ascent and descent through Escher-like topographies. Glossy marble cobblestones snake through a labyrinth of narrow streets, flanked by stately yet sometimes weathered palaces and residential buildings adorned with brightly colored azulejo tiles that catch and reflect the city’s crystalline light, making the entire urban fabric shimmer.

May 6, 2025May 4, 2025, by Eva Zanardi

Io Sono LEONOR FINI – Decoding the Sphinx of Surrealism

Installation view, *Io Sono LEONOR FINI* *(I Am LEONOR FINI)*

The grand halls of Milan’s Palazzo Reale currently host a seminal tribute to artistic defiance and fierce individuality. On view from February 26 through June 22, 2025, Io Sono LEONOR FINI (I Am LEONOR FINI) presents one of the most comprehensive retrospectives dedicated to an artist whose untamed, rebellious gaze still challenges and mesmerizes viewers from across the temporal divide.

November 14, 2024December 10, 2024, by Eva Zanardi

Fiat Lux: Matthew Lusk Illuminates Newburgh with his solo show at Elijah Wheat Showroom

*Encyclopedia of Light (Today in Two Parts) at Elijah Wheat Showroom, installation view*

On March 31, 1884, the Village of Newburgh became New York’s second municipality to receive electricity, just two years after New York City. On September 14, 2024, Matthew Lusk achieved a similarly electrifying milestone by launching his solo show, Encyclopedia of Light (Today in Two Parts), an outstanding exhibition running through December 1 at Elijah Wheat Showroom in Newburgh, NY.

October 30, 2024November 19, 2024, by Eva Zanardi

All you need is JUST LOVE: Michela Martello at Pen + Brush

*JUST LOVE*, (Mimi), 2024, Acrylic, pigments, ink, pastel on interfacing, Installation view

In the heart of Manhattan’s Flatiron district, Pen + Brush, a 130-year-old nonprofit dedicated to championing women in the arts, proudly presents JUST LOVE, an immersive, large-scale installation and exhibition by Italian-born Brooklynite Michela Martello. Drawing inspiration from the renowned Japanese writer Haruki Murakami, Martello’s 360-degree visual experience invites viewers to embark on an introspective and exhilarating journey, exploring the blurred boundaries between reality and the imagined. The narrative woven throughout the exhibition transports viewers into mythical domains, where the sacred and the fantastical coalesce seamlessly.

March 13, 2024March 8, 2024, by Eva Zanardi

Hudson Valley Artists: Bibliography Sourcing Inspiration at Dorsky

A room with art on the wall

Description automatically generated — Installation view of *Hudson Valley Artists: Bibliography* at The Dorsky Museum of Art

Words evoke a myriad of visuals; images encapsulate words, concepts, and ideals. This symbiotic relationship, the dance between the written word and visual art, is the crux of Bibliography. On view at the Dorsky Museum at SUNY New Paltz through April 7, this exhibition documents how books conjure different facets of the exhibiting artists’ thoughts. Books function as a thematic thread, connecting the artworks on view to broader references of knowledge and providing entry points for understanding their aesthetic, social, or political implications. Exhibiting artists include Osi Audu, Alta Buden, Shari Diamond, Kerry Downey, Stevenson Estime, eteam (Franzisa Lamprecht and Hajoe Moderegger), Aki Goto, Adam Henry, Matthew Kirk, Niki Kriese, Melora Kuhn, Catherine Lord, Sean Sullivan, and Audra Wolowiec. 