Studio Immersion Project Annual Exhibitions

Installation view, (Christina Massey), courtesy of efa Project Space Program

Studio Immersion Project (SIP) is an intensive 3 month studio fellowship designed to immerse artists in the world of printmaking. Throughout the fellowship period SIP Fellows build upon existing skills and acquire new techniques. Through a selective application process the SIP invites artists from all media who are interested in exploring printmaking as an integral part of their art making.  Continue reading “Studio Immersion Project Annual Exhibitions”

Katerina Lanfranco- Resisting Binary Oppositions

Katerina Lanfranco, photo by Edward Hutchinson

Katerina Lanfranco explores through painterly means the intellectual and physical freedom of making art at different scales and in various mediums. In her multi-faceted installations, paintings and sculptures she re-imagines scientific possibilities of human interference, interaction, and creativity in nature. Lanfranco, who is also a curator, educator, and writer, shares some thoughts on her journey, ideas, and curatorial practice with Art Spiel. Continue reading “Katerina Lanfranco- Resisting Binary Oppositions”

Martynka Wawrzyniak – Ziemia: From Warsaw to Greenpoint

Ziemia unveiled at McGolrick Park, photo credit Wojtek Kubik

Unveiled on June 9, 2018, the core object  in the multidisciplinary public art project Ziemia (“Earth” in Polish), takes the form of a ceramic orb. The orb was created by the Greenpoint based artist Martynka Wawrzyniak in collaboration with The Polish Cultural Institute of New York, NYC Parks, and  most importantly – Greenpoint residents.

Surrounded by the  rolling meadow in McGolrick Park, the orb represents the collective portrait of the diverse Greenpoint community, with an emphasis on participation of the many Poles who have lived in the neighborhood for generations.  Martynka Wawrzyniak shares with Art Spiel the ideas behind her intriguing public art project, as well as some thoughts regarding her overall art practice. Continue reading “Martynka Wawrzyniak – Ziemia: From Warsaw to Greenpoint”

Elisa Soliven – Genesis of making in Clay

Elisa Soliven, Studio Portrait, Courtesy Maxim Ryazansky

Elisa Soliven is a sculptor, curator, and co-founder of the artist collective Underdonk.  In her recent body of work, exhibited at the last SPRING/BREAK art show, Soliven experienced a turning point in her art.  In our interview for ArtSpiel she elaborated on her process and shared some of the thought process behind her work. Continue reading “Elisa Soliven – Genesis of making in Clay”

Christina Massey – In Between Zones

Christina-Massey, artist-studio, mixed-media artwork, photo courtesy of the artist

Christina Massey is a multi faceted artist whose appetite for bold experimentation with multiple materials and techniques feeds her rigorous search for complex form and subtle commentary on social and cultural issues. This process oriented search results in prints, sculptural installations, and wall reliefs –  layered imagery in her two dimensional work and highly textured surfaces in her dimensional work. Massey represents our current state of being “in between,” not only in the hybridity of her art forms, but also in the very definition of what it means to be an artist at this moment. Continue reading “Christina Massey – In Between Zones”

Amulets Ethereal at Barney Savage

Amulets Ethereal, partial installation view, photo courtesy of Barney Savage gallery

“Amulets Ethereal,” the thought provoking group exhibition curated by Jenny Mushkin Goldman at Barney Savage features works by Kharis Kennedy, Adam Krueger & Tableaux VivantsVictoria Manganiello & Julian Goldman, Qinza Najm, Cheryl R. Riley, and Ashley Zelinskie. The artworks in this show run the gamut from manipulated found objects, like Cheryl Riley’s old farm tools and Qinza Najm’s carpet, to fabricated sculptures like Ashley Zelinskie’s 3-d printed futuristic cyborgs and Victoria Manganiello / Julian Goldman’s computerized weaving; from wearable art like the sewn tattooed silicon mask by the duo  Adam Krueger and Tableaux Vivants to Kharis Kennedy’s mysterious painting of a masked figure with a goat. Collectively the artworks are recontextualized as open-ended ritualized objects and images endowed with the questionable power to shield the viewer from the most tenuous of perceived dangers. Continue reading “Amulets Ethereal at Barney Savage”

Trish Tillman – Souvenirs of a Moment

Trish Tillman, Afterschool Locker, 2017, Hand-printed vinyl, wood, metal, horsehair, resin, 66” x 37” x 6”, photo by Ethan Browning

Trish Tillman flirts with materials. She fuses in her sculptures  elements of fashion and interior décor like leather, vinyl, studs, ropes, and chains,  to create  art objects which are often both humorous and enigmatic. While her sculptures bring to mind  old relics, early symbols,  or mysterious calligraphic forms, they also embody the allure of faux luxury.  Continue reading “Trish Tillman – Souvenirs of a Moment”

 Helen O’ Leary: No Place for Certainty

Helen O’Leary, installation view of Home is a foreign country, 2018, photo courtesy of Lesley Heller by Eva O’Leary

Helen O’Leary‘s sculptural paintings are delicate and rough, subtle and raw, literal and metaphoric – they embrace and prick the viewer at the same time. Her current exhibition Home is a foreign country at Leslie Heller indicates not only clear incisiveness and impressive mastery of form, but also a deep generosity- sharing with the viewer her rigorous process of  grappling with material: visible jointing, disjointing, bending, folding,  knitting. She says that somewhere through the struggle some magic happens. And magic does happen in her artwork. Continue reading ” Helen O’ Leary: No Place for Certainty”