In Valerie Hegarty’s work, autobiography, history, and art history merge seamlessly into engaging installations with a distinct sense of place – visceral and subtle, layered and focused. An inquisitive rigor runs through her work, stirring in the viewer an appetite for more. Valerie Hegarty shared with Art Spiel some thoughts on art making, her own art journey, and some of her upcoming projects.Continue reading “Valerie Hegarty – Memory of a Place”
Beth Dary‘s sculptures, installations and drawings have in common deep layers of meaning, imaginative combinations of materials, and subtle delicacy in form and color. Her insatiable curiosity in exploring diverse materials and processes results in a wide array of formal expressions, ranging from ceramics to photography; fabric to glass. She shares with Art Spiel some insight into her work throughout the years, her process explorations, and her upcoming projects.Continue reading “Beth Dary – Near the Water’s Edge”
Christine Romanell’s fascination with science and math is evident in her artwork. Her installations typically involve kinetic elements, light, and at times she is also collaborating with scientists, engineers, or other artists. Romanell shares with Art Spiel the impetus for her work, process, and exhibitions, including her current exhibition at “Everything Is Connected” at 1978 Maplewood Arts Center in NJ, a culmination of a year of work investigating rotational symmetry.
“Amulets Ethereal,” the thought provoking group exhibition curated by Jenny Mushkin Goldman at Barney Savage features works by Kharis Kennedy, Adam Krueger & Tableaux Vivants, Victoria Manganiello & Julian Goldman, Qinza Najm, Cheryl R. Riley, and Ashley Zelinskie. The artworks in this show run the gamut from manipulated found objects, like Cheryl Riley’s old farm tools and Qinza Najm’s carpet, to fabricated sculptures like Ashley Zelinskie’s 3-d printed futuristic cyborgs and Victoria Manganiello / Julian Goldman’s computerized weaving; from wearable art like the sewn tattooed silicon mask by the duo Adam Krueger and Tableaux Vivants to Kharis Kennedy’s mysterious painting of a masked figure with a goat. Collectively the artworks are recontextualized as open-ended ritualized objects and images endowed with the questionable power to shield the viewer from the most tenuous of perceived dangers. Continue reading “Amulets Ethereal at Barney Savage”
Helen O’Leary‘s sculptural paintings are delicate and rough, subtle and raw, literal and metaphoric – they embrace and prick the viewer at the same time. Her current exhibition “Home is a foreign country“ at Leslie Heller indicates not only clear incisiveness and impressive mastery of form, but also a deep generosity- sharing with the viewer her rigorous process of grappling with material: visible jointing, disjointing, bending, folding, knitting. She says that somewhere through the struggle some magic happens. And magic does happen in her artwork. Continue reading ” Helen O’ Leary: No Place for Certainty”