Return to Light at The Green Door

Rico Gatson, Natalie Moore, Paul D’Agostino
Rico Gatson, Natalie Moore, Paul D’Agostino

All Photos courtesy Susan Sechler Luss

The Green Door gallery was created at the Divine Mercy Cultural Center to foster a sense of community in the Williamsburg neighborhood. The venue was initiated  by Father Thomas Vassalotti, who, along with Father Paul Anel of Heart’s Home, reached out to the artist and curator Elisa Jensen with the wish to connect to the many artists in the neighborhood.

Continue reading “Return to Light at The Green Door”

Planet Ax4+1 at David&Schweitzer Contemporary

Planet Ax4+1, Installation overview
Planet Ax4+1, Installation overview

Concern with Climate Change and how it impinges on our planet links the five artists featured in the impressive sculpture show at David&Schweitzer. Running the gamut from minimalist to narrative sensibilities and from found objects to fabricated materials, the sculptures created by Ruth Hardinger, Babs Reingold, Rebecca Smith, Kelin Perry, and Christy Rupp, engage the space in juxtaposition to one another – visually situating the overall exhibition at the intersection of natural history and archaeological excavation, thematically layered and at times poetic. The artworks in the show refer to the underground, trees, atmosphere, underwater, and animals- each of the individual parts that is essential for life on Earth. Continue reading “Planet Ax4+1 at David&Schweitzer Contemporary”

Outside of Time: Hiroshi Sugimoto at Japan Society

Installation view “Hiroshi Sugimoto: Gates of Paradise” at Japan Society
Installation view “Hiroshi Sugimoto: Gates of Paradise” at Japan Society

Art Ravels: Arts and Culture Unwound is an eloquent and well curated  blog focused on contemporary visual art  by Linnea  West 

In 1582, four recent converts to Christianity were sent from their home in Japan to Europe and the papal court by the Jesuit mission in Japan, as evidence of its success. Called the Tenshō embassy, the four boys met the Pope and saw the great sites of Renaissance Europe before returning home eight years later. Contemporary Tokyo-born, New York-based artist Hiroshi Sugimoto came across the story  of the Tenshō embassy while he himself was photographing in Italy. Continue reading “Outside of Time: Hiroshi Sugimoto at Japan Society”

Underdonk, A Community Fixture

Underdonk started in 2013 as a small experimental project space and later evolved into a vibrant artist-run gallery located at 1329 Willoughby. Underdonk’s eleven members operate an ambitious exhibition program such as the notable 2015 exhibition “Paul Klee,” which featured work by twenty contemporary artists who referenced  the 20th century modernist master.   Continue reading “Underdonk, A Community Fixture”

Searching for the Meaning of Art: ‘Thomas Lendvai: 10’ at ODETTA

Searching for the Meaning of Art: ‘Thomas Lendvai: 10’ at ODETTA
Searching for the Meaning of Art: ‘Thomas Lendvai: 10’ at ODETTA

Photos by Etty Yaniv unless otherwise indicated

For Ellen Hackl Fagan, ODETTA’s gallerist and curator, titling the current sculpture show Thomas Lendvai: 10 was a no-brainer. When artist Thomas Lendvai came up with the title “Ten,” which marks the first time in ten years that the sculptor has been given a chance to show his large-scale sculptures in a New York gallery, Hackl Fagan embraced it willingly. Serendipitously, it also marks the tenth show at ODETTA. Continue reading “Searching for the Meaning of Art: ‘Thomas Lendvai: 10’ at ODETTA”

Duplicate Meanings: Finding What Is Lost at Storefront Ten Eyck

Eros by Mie Yim, 2013; all photos by Etty Yaniv

Typically, crowded openings are not an ideal setting for experiencing the artwork on display. Nevertheless, the current show at Storefront Ten Eyck, featuring Elise Siegel’s ceramic busts paired with Mie Yim’s abstracted figure paintings, thrives in a crowded space. As in a theatrical experience or a ritual ceremony, the visitors’ presence enhances the psychological tension that these artworks emit.

Continue reading “Duplicate Meanings: Finding What Is Lost at Storefront Ten Eyck”

A Genuine Urge to Behold: ‘Meltdown’ by Kurt Steger

Opening night at ArtHelix, with partial view of Meltdown by Kurt Steger; photo courtesy of Vincent Romaniello

Suspended murky waterdrops on the verge of dripping from an icicle onto a sheet of paper prove to be almost hypnotic in Kurt Steger’s interactive project at ArtHelix. Utilizing elegant wooden contraptions made of a rotating large-scale low wooden table, a transportable tall crane-like sculpture, and a few low benches, Steger’s participatory performance evokes a genuine urge to behold the genesis of a fresh mark, from the first drip to the final circular tracing. The resulting drip drawings hang on the walls, mostly depicting  circular forms that range from dark sepias to vibrant yellows and rusty oranges. Continue reading “A Genuine Urge to Behold: ‘Meltdown’ by Kurt Steger”

Dialogue between Art and Life: suggestion, that is the dream

To My Mougouch (dedicated to Agnes Magruder) by Arshile Gorky; all photos courtesy of Outlet gallery website, unless otherwise noted

In response to Arshile Gorky’s colored drawings exhibition, an ARTnewsreviewer back in March 1947 declared that Gorky is in no sense a draftsman and that his drawings “must be appraised as doodlings, for psychological rather than formal interest.” More than sixty years later, an exquisite Gorky drawing from 1946 on loan to Outlet gallery, serves as a starting point for a vibrant dialogue between more than thirty contemporary artists with strong and distinct personal iconography and some shared formal concerns. Continue reading “Dialogue between Art and Life: suggestion, that is the dream”

An Odd Symbiosis: Action in Non-Action

Artist Tirtzah Bassel, at the opening night of The Lines Start Here

Charged with urgency, precision and an acute sense of place, Tirtzah Bassel’s luminous oil paintings at Slag capture figures lingering in uncannily familiar public spaces.  Whether the subject matter of these canvases are crowds, couples, or single figures, the related verbs are of present continuous tense; standing, sitting, resting. These paintings, waiting in line at Trader Joe’s, sitting on an Ikea sofa to check a text message, or stretching horizontally on a bare mattress in the bedroom section, all entail the action in non-action. Although the commercial spaces these figures populate are filled with utilitarian objects such as red (and empty) shopping carts and a row of colorful sofas or beds, these interiors convey a strong sense of void. Objects multiply, proliferate and are caught along with their creators at the same space in an odd symbiosis.  Continue reading “An Odd Symbiosis: Action in Non-Action”