Supporting Immigrant Artists

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The Immigrant Artist Biennial (TIAB), video still, 2019, Ariel Diaz

An Interview with Katya Grokhovsky, Founding Director of The Immigrant Artist Biennial By Anna Mikaela Ekstrand

Launching across New York City in March 2020, The Immigrant Artist Biennial (TIAB): HERE, TOGETHER! will present multi-disciplinary exhibitions, panel discussions, and events highlighting the multiplicities of immigrant experiences and providing a platform for U.S.-based immigrant artists from around the world, across race and social class, to showcase their work.

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Elisa Gutiérrez Eriksen on The process of calculating one’s position at NARS Foundation

Art Spiel in Dialogue with Elisa Gutiérrez Eriksen

The process of calculating one’s position, 2019 (Installation view with works by Niklas Asker and Sophie Dupont). Photo courtesy: NARS Foundation
The process of calculating one’s position, 2019 (Installation view with works by Niklas Asker and Sophie Dupont). Photo courtesy: NARS Foundation

Elisa Gutiérrez Eriksen has curated The process of calculating one’s position at NARS Foundation. This group show features NARS 2019 season IV residency artists: Esther Hovers, Niklas Asker, Jiin You, Tavi Meraud, Fiona McGurk, Dominique Doroseau, Martin Vongrej, Joonhong Min, Ella Weber, Martin Désilets, Sophie Dupont and Tali Keren. It runs through December 13th. The curator shares with Art Spiel the ideas behind the show, the artists, and a bit about the NARS Foundation venue.

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Lily Prince: Honing Plein Air

Lily Prince, Arles,1, Acrylic on canvas paper, 16”x16”, 2019, photo courtesy of the artist

Lily Prince makes lush plein air paintings depicting the essence of specific places around the world. By utilizing linear and color vocabularies, she creates pictorial fields which resemble disorienting topographical maps where time is fluid and frozen simultaneously. Lily prince shares with Art Spiel her background, ideas. process, and projects.

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Tim van den Oudenhoven – A Land For Man’s Absence

Surveillancescapes, Archival pigment print on cotton paper, 2019

Tim van den Oudenhoven is a Belgian-born artist who currently lives and works in Berlin. His photo-based depictions of desolate landscapes with a strong suggestion of surveillance inspire conversations on the dynamic between the visible and the invisible, the witness and the witnessed: in brief, the nature of being seen.

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A History of Digital Photography – Lucien Samaha at Pioneer Works

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Prototype for the Kodak DCS 100, floppy discs, and Kodak film

The exhibit at Pioneer Works is called “A History of Digital Photography” and features some of the first images taken with Kodak’s earliest digital camera. The show includes that camera, its maquette, and the ever sharper, smaller cameras Lucien Samaha worked with over the years, plus ephemera. But at its heart, this show is less about technology than an artist’s journey, and is deeper and far more human than its title suggests.

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Iris Häussler – Invented Biographies

Iris Häussler, Aprartment 5

Throughout her multi-faceted installations, the German-born Canadian based artist Iris Häussler has been slipping in and out of multiple characters. Her invented underdog protagonists live through diverse historical periods and traverse vast geographies. Häussler’s rigorous installations transform any categorization. They are placed between life and art, coalescing multi-disciplinary collaborations including performance, literature, and richly layered visual vocabularies such as drawing, installation and sculpture. The visitor is invited to experience an individual’s life within a specific context of place and history, to decipher the clues from the artifacts and materials throughout installations that reflect on fiction, history and the meaning of a creative identity.

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BOS Studio Spotlight: Yolande Heijnen

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Heijnen’s “The bed we lay in”, 60″x72″

Yolande Heijnen was born and raised in Luxembourg, and has lived in New York since 1998. She has an MFA in painting from the New York Studio School, has won the Edward G. McDowell Travel Grant of the Art Students League, and is a three-time recipient of the Elizabeth Greenshields Foundation Grant.

All photos byCatherine Kirkpatrick

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Peter Gynd – Jody MacDonald: Freaks, Geeks, and Strange Girls at Radiator

In Dialogue with Peter Gynd on Jody MacDonald’s upcoming solo exhibition he curated at Radiator

Jody MacDonald, Conjoined Twins, 2019, mixed media, 26 x 26 x 24 in.

Peter Gynd is an artist, curator and gallerist whose recent curatorial project is currently on view at Radiator, a solo show featuring new works by the Canadian born and NYC based Jody MacDonald. MacDonald’s sculptural dioramas explore a set of characters on the fringe by merging fact, fiction, and art history. In this Art Spiel interview Peter Gynd elaborates on the genesis of the exhibition.

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Katie Hector – New Thick at RSOAA

In Dialogue with Katie Hector on RSOAA and beyond

Installation view of NEW THICK. Image courtesy of The Royal

Katie Hector is an artist, curator, and writer whose work is currently featured in New Thick at The Royal @ RSOAA . a group exhibition she has also co-curated with Barry Hazard at this dynamic venue for curatorial projects in Williamsburg, Brooklyn. In this Art Spiel interview, Katie Hector elaborates on New Thick, her current show, and the premise behind the RSOAA venue.

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Karen Mainenti: Message in a Bottle at Ground Floor

Message in a Bottle, installation view at Ground Floor Gallery, 2019, photo courtesy of Jordan Rathkopf

In Message in a Bottle, the current solo installation show at Ground Floor Gallery in Park Slope, the Gowanus based artist Karen Mainenti transforms the gallery into what at first glance looks like an upscale beauty boutique. Mainenti uses this platform to explore the mechanisms at work in the packaging and marketing of beauty products over time, drawing on her own complex relationship to the products themselves. Much of Mainenti’s work examines the subtle but powerful societal expectations of women that show up in ordinary objects. The delicately cast porcelain replicas of her own cosmetics highlight the way objects can be gendered, even when reduced to their elemental forms. Often using humor as a sly way to invite the viewer in, her drawings of creams, lotions and serums using marketing language from real products highlight the inherent contradiction in the ways we read these messages as absurd, yet suspend that disbelief at the cash register when we buy them. Having visited the show when it opened, I was delighted to have the opportunity to chat with Karen about how this exhibition came together and how the various series within it have developed over time.

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